Untitled Folding #19 is 1 in a series of 33 paintings. Each version was made as the art/packaging for the Untitled Folding music release.
Untitled Folding is the performance from the release party for Folding In On Itself, recorded in New York City on May 12, 2011. The set is very much connected to the album in scope and feel - warm electroacoustic settings with muted kick drums and spacious melodic fragments - but it is a disassembly and reassembly of those pieces, an improvised arrangement based on loops and individual sounds, which also makes liberal use of elements from other material, both finished and in-process. In comparison to the album from which it originates Untitled Folding is more open-ended and creates different relationships among sounds, coaxing them into one new, fluid piece. The hope is that it retains a narrative sense and perhaps more so because of the extended and continuous nature of it.
Instead of a package per se, the cover art is a textural painting, on a 10"x10" piece of wood, which comes with a full resolution file of the music.
Each piece is an individual in a series of 33, a part of a continuum. It is a music release with new art made for each iteration, a painting with accompanying sound.
Includes unlimited streaming of Untitled Folding via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Untitled Folding #20
Untitled Folding #26
Untitled Folding #30
Untitled Folding #21
Untitled Folding #24
Untitled Folding #8
Untitled Folding #33
Untitled Folding #29
Untitled Folding #28
Untitled Folding #32
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Were Never Meant For Distance & Found It Collapsed giclee print
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Ezekiel Honig Los Angeles, California
Ezekiel Honig's emotively warm electronic-acoustic music uses a multitude of everyday real-world objects and spaces, tethering to our physical universe. Plastic, metal, wood, and air coalesce with Rhodes, guitar, horns, piano, and other instrumental origins, creating a sound of contrast and contradiction, pairing inviting, fuzzy chords with clunky and dirty mishaps.
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